Andrei along with his beautiful interpreter Eugenia (Domiziana Giordano) travels to visit a convent in the hilly countryside of Tuscany in order to see the frescoes by Piero Della Francesca, but he changes his mind at the last moment and does not enter. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Despite staying in Italy, his heart is filled with the memories and dreams of his motherland. When a man loses faith and conviction in himself, he loses the meaning of his life, and there is nothing left in him apart from death and madness. Cinemark Create New. He has faith. and asks Eugenia to act as an intermediary. It seems that Sosnovsky was not a fictional character, he led a normal life. He is researching the life of Pavel Sosnovsky, a Medieval Russian musician who lived most of his life exiled in Italy and committed suicide upon his return to Russia. The Russian poet Andrei Gorchakov travels through Italy accompanied by his guide and translator as he researches the life of an 18th Century Russian composer, Pavel Sosnovsky. [] Nothing happens. Domenico reflects on the folly of his actions as a desperate and selfish attempt to spare his family from a self-destructive and dying world. (The model for the fictional Sosnovsky was Maximillian Beryozovsky, an 18th-century Ukrainian composer.) How could I have imagined as I was making Nostalghia that the stifling sense of longing that fills the screen space of that film was to become my lot for the rest of my life; that from now until the end of my days I would bear the painful malady within myself? They have never been able to completely get rid of the smell of their motherland. Soloists: Tatyana Gavrilova and Olga Malinovskaya (Cantata "To Gods Mother"), 2019 May 26, Gallery "", Minsk (project "Immersion", Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaya), 2019 July 24, Cathedral of the Blessed Virgin Mary, Minsk (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaya), 2019 October 1, Belteleradiocompany, Radio Channel Culture ("Munchausenshow" premiere of the suite performed by the Belteleradiocompany Symphony Orchestra, conductor Alexander Sosnovsky), 2020 July 6, Belteleradiocompany, Radio Channel Culture ("The Adventures of Prantish Vyrvich, a Scalar and a Spy" music for the radioshow based on a novel by Ludmila Rubleuskaya). Litvinovsky Music/ASCAP. Back at their hotel Andrei feels displaced and longs to go back to Russia, but unnamed circumstances seem to get in the way. He is working in various genres: from chamber, choral, symphonic, stage production music to electroacoustic art. Freedom is useless if you dont have the courage to look us in the eye, eat, drink, and sleep with us.. Life is not complete and content without the warmth of family members, relatives, close friends, and the very close association with the motherland. The foggy Tuscan hilly areas look magical. [5] Soviet authorities prevented the film from winning the Palme d'Or,[15] a fact that hardened Tarkovsky's resolve to never work in the Soviet Union again. Through this constructed image, Tarkovsky depicts the divisions and confusions within humans as a whole and Andrei is not just a separate example. After asking Eugenia to translate some of the descriptive words used by the villagers to characterize the inscrutable Domenico, Gortchakov rationalizes, Hes not mad. With him on his journey is his interpreter Eugenia, and during their endeavors they meet a local outcast and mystic played by longtime Ingmar Bergman collaborator, Erland . Intetics. In Nostalghia, Tarkovsky portrays the infamous Russian nostalgia that does not let Russians settle down in other countries. Later, Domenico delivers a speech in the city about the need of mankind of being true brothers and sisters and to return to a simpler way of life. Last Update. This page was last edited on 22 October 2020, at 06:07. Regent Theatre, 551 Mt. Apr 2010 - Jan 20165 years 10 months. Tarkovsky was always interested to depict such types of people in his films who look weak from the outside but are utterly charged up inside. Tarkovsky wanted to portray the nostalgia and melancholia of Andrei. Its also about light and dark, as Tarkovsky and cinematographer Giuseppe Lanci explore chiaroscuro effects, often incorporating candles to create mesmerizing glows and elongated shadows while alternating between color, sepia, and black-and-white. Kovcheg, Minsk. was broadcasted by: The project "Jazz Graffiti" (78 min. who is in Italy researching a book on eighteenth-century Russian composer Pavel Sosnovsky, and Eugenia, his Italian translator (Domiziana Giordano), have driven to a remote church to look at a fresco of the Madonna of Childbirth. Stay up-to-date on all the latest Rotten Tomatoes news! project: the purpose of his trip to Italy is to research the life of Pavel Sosnovsky, an 18th century serf composer whose nostalgia for Russia in Italy drives him to suicide. As part of his speech, he invokes equality, inclusion, and universal brotherhood, and he strongly condemns discrimination. Andrei is so isolated that he cant express himself fully to his interpreter Eugenia who is very close to him. 2014. 4 girls go to space in a cardboard rocket. Pavel Sosnovsky Software developer at SaM Solutions Belarus. OPINION: Black Sea freight market seeks new balance amid Russia's invasion. He does not shy away from the supreme sacrifice to make this world a better place. At ancient baths where people believe they can attain immortality, Gorchakov meets up with a fanatic named Domenico (Bergman stalwart Erland Josephson) who fears that the end of civilization is coming. Dont worry, it wont take long. Eugenia asks whether women are meant only for this purpose. Kovcheg, Minsk. Separated from his family, far from his homeland, and now alone, Gortchakov slips further into a state of profound isolation and unrequited longing, his own spiritual nostalghia. Pavel Chesnokov was arguably the foremost Russian composer of sacred choral works during his time. Film. After the Bolshevik Revolution, Chesnokov was forced to abandon composition of sacred music, owing to sanction against such activity by the anti-religious Soviets. A Russian poet named Andrei Gorchakov (Oleg Yankovsky) travels to Italy to research the life of the 18th-century Russian composer Pavel Sosnovsky who spent a few years in Italy and committed suicide after returning to Russia. Furthermore, St. Catherine of Siena, after whom the pool was named, was an advocate for the reunification of the Eastern (Orthodox) Church and the Western (Roman Papal) Church during the Great Schism of the Ecumenical Church. https://nitroflare.com/view/64431DD934F272C/Andrei_Tarkovsky_-_(1983)_Nostalgia.mkv, Language:Italian, RussianSubtitles:English, Your email address will not be published. The architecture seems to be crumbling all around Gorchakov as he tries to make sense of life and death, art and poetry. In Nostalghia, Tarkovsky questions the so-called patriarchal mentality that deems women as merely birth machines. There are no featured reviews for Nostalgia because the movie has not released yet (). ATMM 2013 PROCEEDINGS 17 The ostensible reason for his trip is to research a biography of an 18th-Century serf composer, Pavel Sosnovsky, who escaped to the West and won acclaim but, unable to bear separation from his homeland, returned, surrendered himself and ultimately committed suicide. Eugenia then argues, How can we get to know each other? He replies, By abolishing frontiers between states. Yet Gortchakovs words prove hollow as he remains distant and introspective, despite his surfacing attraction to sensual Eugenia. 2016. Coming Soon. NOSTALGHIA. After two or three weeks of total uncertainty and a breakdown of all usual market ratios and correlations caused by Russia's. Read article. Kovcheg, Minsk. Pavel Sosnovsky is on Facebook. You're almost there! Chesnokov was a devout follower of the Russian. Please verify to complete the subscription. Fesivals/Concerts/Stage Productions/Broadcasting, State Academic Symphony Orchestra of Belarus, article "Alexander Litvinovsky" is from Wikipedia, https://en.everybodywiki.com/index.php?title=Alexander_Litvinovsky&oldid=1067262. To investigate the life of Russian composer Pavel Sosnovsky, Andrei Gorkachov (Oleg Yankovsky) goes to Italy, where Sosnovsky resided before his suici When he visited Italy to begin studying the project of Nostalghia with Tonino Guerra, as they visited cities, Tonino would show him Renaissance architecture, art, monuments, and he admired them, and would take notes, but what struck him the most was the sky, the blue sky, black sky, with clouds, with the sun, at dawn, at noon, in the evening. Litvinovsky Music/ASCAP. Just confirm how you got your ticket. He also remained busy, regularly conducting the choirs of the Bolshoi Theater and Moscow Academy. The Russian filmmaker never made a film that he didn't appear to have some personal connection to, from his student film 'The Steamroller and the poet living in Italy. It's very special to watch any of Andrei Tarkovsky's movies and the more you tend to know about this Russian film maker you wonder his deep powers to his movies. Its heady stuff, and absolutely gorgeous. The protagonistalso named Andreiis a Russian poet living in the northern Italian province of Tuscany who is researching a biography of Russian composer and expatriate Pavel Sosnovsky. The list of its authors can be seen in its historicaland/or the page Edithistory:Alexander Litvinovsky. 2016. In this shot, Tarkovsky brings the magnificent Russian countryside inside the Italian abbey church of Saint Galgano. Synopsis:To investigate the life of Russian composer Pavel Sosnovsky, Andrei Gorkachov (Oleg Yankovsky) goes to Italy, where Sosnovsky resided before his suicide.Joining Gorkachov on his journey through Tuscany is his interpreter, Eugenia (Domiziana Giordano), who develops an interest in her client that is more than professional. He claims that when finally achieving it, he will save the world. He was irritated by the constant supervision and pressure of the Soviet Censor Board. Drama. At this moment, his life is divided and confused, which bars him from spiritual fulfillment. As the camera slowly pulls out, the hut and his family are shown to be within the ruins of an enormous Italian church. [7] He and his comely interpreter Eugenia travel to a convent in the Tuscan countryside, to look at frescoes by Piero della Francesca. BSR publishes on a weekly schedule, with an email newsletter every Wednesday and Thursday morning. Andrei decides at the last minute that he does not want to enter. "[14] The film won the Prize of the Ecumenical Jury, the prize for Best Director (Grand Prix du cinma de creation, shared with Robert Bresson) and the FIPRESCI Prize at the 1983 Cannes Film Festival. In a 1983 interview with Italian journalist Natalia Aspesi in Cannes, Tarkovsky said, Nostalghia is an extremely important film for me. Presenter: Viktor Kisten), 2017 November 17, III International Youth Educational Project "Top of the creative work", Glinka State College of Music ("Dartz" from the program "Jazz Graffiti". Meanwhile, Gorkachov is beset by powerful feelings of homesickness as he wanders through the ruins of the countryside and meets a doomsaying mystic (Erland Josephson). Apparently, they do not appear as heroes but can sacrifice themselves for bigger causes and the well-being of society. Inside the church, Tarkovsky and . Gortchakov has travelled to Italy on an extended research expedition to retrace the emigrant journey of an acclaimed eighteenth century Russian composer named Pavel Sosnovsky who, despite achieving international recognition away from his homeland, eschewed fame and returned to the humble life of a feudal serf, only to sink further into despair . To investigate the life of Russian composer Pavel Sosnovsky, Andrei Gorkachov (Oleg Yankovsky) goes to Italy, where Sosnovsky resided before his suici Initially the film was titled Viaggio in Italia (Voyage to Italy), but since there was already a film Journey to Italy (1954) by Roberto Rossellini, starring Ingrid Bergman, that bore that name, they searched for something else, eventually deciding upon Nostalghia. The project "My-O-My" (56 min. Even though Tarkovsky shot Nostalghia in Italy and the story is set in Italy, the film profoundly is a Russian film. The Requiem continues an audible transition to the second scene. Meanwhile, Gorkachov is beset by powerful feelings of homesickness as he wanders through the ruins of the countryside and meets a doomsaying mystic (Erland Josephson). Andrei Tarkovsky, the exact contemporary of the French filmmaker Francois Truffaut (1932-1986), made only seven feature films during his 30-year career, but their prestige has elevated him to almost mythical status. Litvinovsky Music/ASCAP. Alexander Litvinovsky (born in Minsk, May 1, 1962) is a Belarusian composer of contemporary classical music. 2015. Meanwhile, Gorkachov is beset by powerful feelings of homesickness as he wanders through the ruins of the countryside and meets a doomsaying mystic (Erland Josephson). BYA0111018, "Dziady". Eugenia is with her boyfriend, but he seems disinterested in her and appears to be involved in dubious business affairs. Pans Labyrinth Analysis and Review: In Pans Labyrinth, Guillermo Del Toro Vividly Shows the Violence and Brutality in Francoist Spain and Creates a Fantasy World to Escape from It. Get the freshest reviews, news, and more delivered right to your inbox! Tarkovsky said, "Our 'nostalghia' is not your . But at the very beginning of this journey, Andrei quickly feels uneasy and wants to return to Russia. . Nostalghia is largely devoid of any dramatic plot apart from a very few instances like the conversation between Andrei and Eugenia, Domenicos speech in Rome, and Andreis repetitive attempt to cross the pool with the lighted candle. Eugenia, who has flowing blond hair, is reading a book of poems by Arseni Tarkovsky, the directors father, in Italian, but Gorchakov tells her to throw it away. Litvinovsky Music/ASCAP. Domenico ultimately accepts the company of the attentive Gortchakov, and invites him to the abandoned house where he had kept his family in captivity. Andrei meets and befriends a strange man named Domenico, who is famous in the village for his insistence in trying to walk across a drained mineral spring pool with a lit candle. His element are the original game of styles, the reconstruction of historical musical models from the Renaissance, Baroque, classical, and romantic eras. While visiting the hot springs pool of St. Catherine in Bagno Vignoni, Gortchakov becomes intrigued by the presence of an eccentric old man named Domenico (Erland Josephson) who once imprisoned his family for seven years in an apocalyptic delusion. "[16] Nostalghia has an approval rating of 86% on review aggregator website Rotten Tomatoes, based on 22 reviews, and an average rating of 8.22/10. In addition, Chesnokov became the choirmaster at Christ the Savior Cathedral. " . This device is linked to the letter of the fictionalized eighteenth-century Russian composer Pavel Sosnovsky (based on the historical Maxim Berezovsky), which is read aloud in Tarkovsky's 1983 film Nostalghia and which characterizes the ways in which artists can feel like puppets in a spectacle orchestrated by political forces beyond their control. They won't be able to see your review if you only submit your rating. 0 0 Comments 0 0 Questions 0 0 pros 0 0 cons. 2016. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. , and to receive email from Rotten Tomatoes. Tarkovsky co-wrote the screenplay with Tonino Guerra. Left alone at the foothills as Eugenia ventures alone, Gortchakov quotes a resigned passage that reflects his own feelings of inertia: Im tired of these sickeningly beautiful sights. Nostalgia demands patience -- and rewards the investment with a hypnotic viewing experience that finds Tarkovsky in gratifyingly uncompromising form. Please reference Error Code 2121 when contacting customer service. Ajami Analysis and Review: Countless Agonies of the Middle East Are Reflected in Ajami, A Prophet Analysis and Review: Jacques Audiards Prison Crime Drama Film A Prophet Shows the Elevation of an Arabian-origin Frenchman Amidst the Brutality of a French Prison, The White Ribbon Analysis and Review: In The White Ribbon, Veteran Auteur Filmmaker Michael Haneke Points out the Roots of Evil and How Those Evil Forces Affect Society Anywhere in the World, The Secret in Their Eyes Analysis and Review: Juan Jose Campanellas Meticulously Well-made Crime Thriller The Secret in Their Eyes Brings Back the Horrendous Memories of 1970s Argentina, Director Florian Henckel Von Donnersmark, Directors Ljubomir Stefanov and Tamara Kotesvka. Domenico delivers an emotional and high-voltage speech in which he appeals for universal brotherhood. However, he revisits the pool in Bagno Vignoni, which has been drained out recently, and he tries hard to keep his promise to Domenico. 2016. Litvinovsky Music/ASCAP. Tag Archives: Pavel Sosnovsky ANDREI TARKOVSKY, SCULPTING IN TIME: NOSTALGHIA. "A capella II" for mixed choir. Litvinovsky Music/ASCAP. Poetry is untranslatable, like the whole of art, he says, a sly reference to the directors first Italian film. Each style zone for Litvinovsky is not the dead out-of-date circuit, but only a matrix for the creation of a unique projection. Each time, he finds new resources, disclosing, in labyrinths of style, unknown sources of inspiration, admiring and being pleased by the magnificence of each detail.[1] (Musical critic Svetlana Beresten), 1978 1982 Minsk State Musical College: Musicologists Diploma, 1982 1987 Belarusian State Academy of Music (Minsk): Composers Diploma (class of Prof. Dmitry Smolsky), 1989 1991 Belarusian State Academy of Music (Minsk): Post-graduate Composer's Degree (class of Prof. Dmitry Smolsky), 1993 Summer Course for Composers (Poland) directed by Krzysztof Penderecki (Poland), Michael Nyman (Great Britan), Louis Andriessen (Holland), Fransois-Bernard Mache (France), 1995 Summer Course for Composers (Poland) directed by Martin Bresnick (USA), Daryl Runswick (Great Britain), Sylvano Bussotti (Italy), Sigune von Osten (Germany), 2000 Acanthes/IRCAM Musical Computing Workshop directed by Jonathan Harvey (Great Britan), Tristan Murail (France) and Martin Matalon (France), 2001 Musical Computing Workshop in the State University of Music and Performing Arts Stuttgart (Germany) directed by Matthias Hermann and Marek Choloniewski, 2001 Electroacoustic Music Studio of the Academy of Music in Krakow, Poland, 2006 Omi International Arts Center, Ghent, NY USA, 2008 Electroacoustic Music Studio of the Academy of Music in Krakow, Poland, 1990 Member of the Belarusian Union of Composers, 2004 Member of the American Society of Composers, Authors and Publishers (ASCAP), 2005 Member of the International Confederation of Electroacoustic Music (ICEM/CIME) in Bourges (Polish section), 1981 "Perpetuum Mobile and Passacaglia" for piano, 1982 "Concertino-Barocco", suite for string orchestra, 1987 "Wedding" ("Wiaselle"), cantata for soloists, mixed choir and symphony orchestra, 1988 "Gathering Saturday" ("Zbornaja Subotka"), cantata for soloists and mixed choir, 1990 "Francisk", mistery for bass and symphony orchestra, 1990 "Zbieg" for flute, oboe, violin, cello and piano, 1991 "Intavolatura", suite for guitar (CD), 1992 "Tabulatura Vilnensis", cycle of pieces for chamber ensemble, 1993 Electronic compositions: "Ra", "Night Bells", "Styx"," Fairy of Tides", "Suspense", 1995 "Gregorianica", missa for male choir, 1996 "Hymnes de Saint-Martin" ("Oculis Et Manibus", "Au Milieu Des Nuages") for mixed choir, 1996 "To Gods Mother" ("Da Maci Bozaj"), cantata for soloists, mixed choir and chamber orchestra (CD), 1997 "Filix", sonata for flute and guitar (CD), 1997 "Heart of Jesus" ("Serca Jezusa"), cantata for mixed choir and chamber orchestra (CD), 1998 "Stabat Mater", cantata for mezzo-soprano and chamber orchestra (CD), 1998 "Songs for Christmas" ("Pesni na Bozaje Naradzennie"), cantata for soloists, mixed choir and symphony orchestra (CD), 1998 "Rondo Ricercari", triptych for flute and guitar (CD), 1999 "Consort Lessons", suite for chamber orchestra (CD), 2001 "Tales of the Magic Tree", cycle of pieces for string orchestra (CD), 2001 "In-Ta-Vo-La-Tu-Ra", electroacoustic performance, 2001 "Ballads of Faron", electroacoustic remix, 2002 "Canzonetta" for tuba (or cello/oboe/bassoon/bass clarinet) and electronics (CD), 2002 "Calypso", concerto for piano and string orchestra (CD), 2003 "Traffic in Open Sun", cycle of pieces for quartets of homogeneous low wind instruments: tubas, trombones, bassoons (CD), 2005 "Raft of Odisseus", concerto for trombone, French horn, trumpet and string orchestra, 2006 "My-O-My", 10 electroacoustic compositions (CD), 2008 "Jazz Graffiti", 12 electroacoustic compositions (CD), 2011 "Wedding", music for the stage production by Witold Gombrowiczs play, 2012 "Dziady", music for the stage production based on a poem by Adam Mickiewicz (CD), 2012 "Oedipus Rex", music for the stage production based on the tragedy of Sophocles, 2013 "Arabian night", music for the stage production by Roland Schimmelpfennigs play, 2013 "Karlsson-on-the-Roof", music for the stage production after Astrid Lindgrens book, 2013 "The Dance of Death", music for the stage production by August Strindberg's play, 2014 "Ribbons on the Corners", music for the stage production by Gregory Oster's play, 2014 "The Golden Key", music for the stage production by Alexej Tolstoj's fairy tale, 2014 "The Wolf and the Seven Little Kids", music for the stage production based on the folk tale, 2014 "The Wolf and the Seven Young Goats, suite for violin and string orchestra, 2015 "Narmahnar", music for the stage production by Mykola Kulish's play "Folk Malahy", 2015 "Le Grand Cahier", music for the stage production after Agota Kristof's novel, 2015 "Le Grand Cahier", suite for string orchestra, 2015 "Puss in Boots", music for the stage production after Charles Perrault's fairy tale, 2015 "Puss in Boots", suite for trumpet and piano, 2015 "The Snow Queen", music for the stage production after Hans Christian Andersen's fairy tale, 2016 "The Lower Depths", music for the stage production by Maxim Gorkys play, 2017 "Small Demon", music for the stage production based on the novel by Fedor Sologub, 2017 "Tale of the Fisherman and the Goldfish", music for the stage production based on the poem by Alexander Pushkin, 2017 "New Land", music for the stage production based on the poem by Yakub Kolas, 2017 "Snow White", music for the stage production based on the fairy tale of the Brothers Grimm, 2018 "My Dads a Birdman", music for the stage production based on the play by David Almond, 2018 "Journey to the Land of Ants", music for the radioshow based on the play by Tatyana Mushinskaya, 2018 "The Adventures of Tom Sawyer", music for the stage production based on the novel by Mark Twain, 2018 "Cherry Orchard", music for the stage production based on the play by Anton Chekhov, 2018 "The Boy Who Swam with Piranhas", music for the stage production based on the play by David Almond, 2018 "Inclusion", music for the documentary film, 2018 "The Great Journey of Prince Nicholas Christopher Radziwill Orphans", music for the documentary film, 2019 "Cherry Orchard", suite for piano and chamber orchestra, 2019 "Pelleas and Melisande", music for the stage production based on the play by Maurice Meterlink, 2019 "Munchausenshow", suite for symphony orchestra, 2020 "My Dad's a Birdman", suite for piano and chamber orchestra, 2020 "Master Cat", suite for trumpet and string orchestra, 2020 "The Adventures of Prantish Vyrvich, a Scalar and a Spy", music for the radioshow based on a novel by Ludmila Rubleuskaya, 1990 Minsk Music Spring, International Festival, Grand Hall of the Belarusian State Philharmonic ("Francisk" performed by Oleg Gordynetz (bass) and the State Academic Symphony Orchestra of Belarus conducted by Victor Dubrovsky), 1991 Concert of New Belarusian Music, Chamber Hall of the Belarusian State Philharmonic ("Intavalotura" performed by Eugeny Gridzuszko (guitar), 1992 Concert of the Belarusian Barocco, Chamber Hall of the Belarusian State Philharmonic ("Tabulatura Vilnensis" performed by "Classic-Vanguard" conducted by Vladimir Bajdov), 1993 International Youth Music Forum in Kiev, Ukraine ("Wir" performed by the Quartet of the French Corns under direction of Ivan Babik), 1994 Concert of the Modern Belarusian Music, Chamber Hall of the Belarusian State Philharmonic ("Ul" performed by "Classic-Vanguard" conducted by Vladimir Bajdov), 1994 International Youth Music Forum in Kiev, Ukraine ("Ul" performed by the String Quintet under direction of Igor Andrievsky), 1994 Recital, Chamber Hall of the Belarusian State Philharmonic (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 1995 Choral International Neuchatel, Switzerland ("Wedding" performed by "Grajna" Mixed Choir conducted by Nikolaj Kashuro), 1996 Florilege Vocal De Tours, France (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 1997 International Jugend-Festspieltreffen Bayreuth, Germany ("Concertino-Barocco" performed by "Young Belarus" Symphony Orchestra conducted by Michael Kozinetz), 1998 Recital, Chamber Hall of the Belarusian State Philharmonic (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), "Stabat Mater" performed by Jamilia Amandurdyeva (mezzo-soprano) and Alexander Milto (organ) , "Francisk" performed by Oleg Gordynetz (bass) and Alexander Milto (organ), 1999 Festliche Konzerte zum Neuen Jahr in Zurich, Switzerland ("Concertino-Barocco" performed by the Zurich Chamber Orchestra conducted by Stefan Meier), 1999 Youth Music Days in Druskininkai, Lithuania ("Concertino-Barocco" performed by the St. Kristoforo Chamber Orchestra conducted by Donatas Katkus), 1999 ISCM World Music Days in Bucharest, Romania ("Ul" performed by "Aperto" Ensemble), 2000 Ankara Cokseli Muzik Dernegi, Turkey (Missa "Gregorianica", "Gathering Saturday" performed by the Polozk Chamber Choir conducted by Ludmila Zhukova), 2000 Gaude Mater International Festival of Sacred Music in Czestochowa, Poland (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 2000 Minsk-2000, International Piano Contest, obligated National piece ("Perpetuum Mobile and Passacaglia" performed by Alexander Muzykantov (piano), 2000 National Orchestral Contest, obligated piece for wind orchestra ("Taurus" performed by the Wind Orchestra of the Minsk State Musical College conducted by Victor Babarikin), 2000 Recital, Uladzislaw Golubok Hall, State Museum of Theatre and Music Culture ("Perperuum Mobile and Passacaglia", "Faron", "Filix", "Intavolatura"), 2000 International Rostrum of Composers in Amsterdam, Netherlands ("Zbieg"), 2000 Choral International Neuchatel, Switzerland ("Gathering Saturday" performed by "Orienta" Girls Choir conducted by Elena Guliaeva), 2001 March 22, Grand Hall of the Belarusian State Philharmonic ("Consort Lessons" performed by the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2002 February 26, Chamber Concert, XIII Belarusian Composers Forum ("Faron" performed by Alexej Jaskelchik (clarinet), 2002 March 2, Symphony Concert, XIII Belarusian Composers Forum, Grand Hall of the Minsk Philharmonic ("Tales of the Magic Tree" performed by the State Academic Symphony Orchestra of Belarus conducted by Gennady Provatorov), 2004 Minsk Gold Autumn, International Festival, Belarus ("Stabat Mater" performed by Jamilia Amandurdyeva (mezzo-soprano) and the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2004 Minsk Gold Autumn, International Festival, Belarus ("Calypso" performed by Tatiana Starchenko (piano) and the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2005 ISCM Concert, Chamber Hall of the Belarusian State Philharmonic ("Canzonetta" performed by Roman Dokunihin (tuba), 2006 August 12, Music Omi Concert in Ghent, USA ("My-O-My" performed by Carsten Radtke (guitar) and Joseph Daley (tuba), 2006 August 14, Music Omi Concert at the Players Theatre, Manhattan, New York, USA ("My-O-My" performed by Carsten Radtke (guitar) and Joseph Daley (tuba)), 2006 December 3, Orchestra Concert of the Belarusian Composers XIV-th Forum, Chamber Hall of the Belarusian State Philharmonic ("Raft of Odysseus"), 2008 February 28, Intermedia I Concert, Akademia Muzyczna, Krakow, Poland ("My-O-My"), 2008 June 25, Intermedia II Concert, Akademia Muzyczna, Krakow, Poland ("Jazz Graffiti"), 2008 November 24, Concert "Baroque Mood", Grand Hall of the Belarusian State Philharmonic ("Consort Lessons" performed by the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2008 November 27, Audio Art Festival, Akademia Muzyczna, Krakow, Poland ("Jazz Graffiti"), 2008 December 21, Recital, Concert Hall of the Belarusian Composers Union ("Jazz Graffiti"), 2009 October 17, Gaude Polonia Concert, Zamek Ujazdowski Centre of Modern Art, Warszawa ("Jazz Graffiti"), 2010 April 15, Streams International Festival of New Music, Abtei Brauweiler, Cologne, Germany ("Tales of the Magic Tree" performed by the Cologne Chamber Orchestra conducted by Christoph Maria Wagner), 2010 April 16, Streams International Festival of New Music, Abtei Brauweiler, Cologne, Germany ("Canzonetta" for cello & electronics performed by Judith Ermert (cello), 2010 October 4, Symphony Concert in the Studio of BTRC, Minsk ("Tales of the Magic Tree" performed by the Belteleradiocompany symphony orchestra conducted by Erki Pehk), 2010 October 28, Muzyka z Pradem, Akademia Muzyczna, Poznan, Poland ("Jazz Graffiti" performed by Anna Zelinska (violin), 2010 December 23, One Night in December International Festival, Einav Culture Centre, Tel Aviv, Israel ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 February 13, XIV Lutoslawski Forum, Warsaw Philharmonic, Poland ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 May 26, Minsk Puppet Theatre ("Wedding" music for the stage production by Witold Gombrowiczs play), 2011 June 26, Forfest Festival, Museum of Kromeriz, Czech Republic ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 November 16, Minsk Trade Union Palace, Concert of the Male Choir "Unia" conducted by Cyrill Nosaev (Missa "Gregorianica"), 2012 October 27, Minsk Radio Studio ("Winterra" performed by the Belteleradiocompanys orchestra conducted by Erki Pehk), 2012 November 2, Minsk Puppet Theatre ("Dziady" music for the stage production after Adam Mickewiczs poem), 2012 November 25 Minsk Triennale BelExpoArt-2012 (Recital), 2012 November 28, Minsk Philharmonic ("Calypso" performed by Tatiana Starchenko (piano) and the Chamber Ensemble), 2012 November 30, Kurgan Puppet Theatre ("Oedipus the King" music for the stage production by Sophocles's play), 2013 March 13, Janka Kupala National Theatre ("Arabian Night" music for the stage production by Roland Schimmelpfennigs play), 2013 May 1, Cork International Festival, Ireland ("Gathering Saturday" performed by "Salutaris" Chamber Choir conducted by Olga Janum), 2013 July 4, Gdansk, Poland (Missa "Gregorianica" performed by Victor Kisten (organ), 2013 November 8, Habarovsk Puppet Theatre ("The Dance of Death" music for the stage production by August Strindberg's play), 2014 March 8, Ortus The Khorikos International New Music Competition, Concert of the Winners, Church of St. Anthony of Padua in Soho, New York ("Quoniam Tu Solus Sanctus" from missa "Gregorianica" performed by "Khorikos" Chamber Choir conducted by Jesse Peckham), 2014 April 6, Molodechno Puppet Theatre ("Ribbons on the corners" music for the stage production by Gregory Oster's play), 2014 April 26, Minsk Puppet Theatre ("The Golden Key" music for the stage production after Alexej Tolstoj's novel), 2014 December 20, Minsk Puppet Theatre ("The Wolf and the Seven Little Kids" music for the stage production based on the folk tales), 2015 February 15, Perm Puppet Theatre ("Narmahnar" music for the stage production by Mykola Kulish's play "Folk Malahy"), 2015 May 29, Perm Puppet Theater ("Le Grand Cahier" music for the stage production by Agota Kristof's novel), The Golden Mask Award (Russian National Theatre Award) Best Puppetry Production of the Year, 2015 May 29, Minsk Philharmonic ("Canzonetta" for bass clarinet and electronics performed by Alexej Jaskelchik (clarinet), 2015 August 29, Church of the Nativity of the Blessed Virgin Mary, Zaslauje (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2015 September 19, Perm Puppet Theatre ("Puss in Boots" music for the stage production after Charles Perrault's fairy tale), 2015 October 4, St. Anne's Church, Warsaw (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2015 November 23, Minsk Trade Union Palace ("Tales of the Magic Tree" performed by "Metamorphose" String Orchestra conducted by Pavel Lubomudrov), 2015 December 19, Perm Puppet Theatre ("The Snow Queen" music for the stage production after Hans Christian Andersen's fairy tale), 2015 December 29, Minsk Philharmonic ("The Wolf and the Seven Young Goats" performed by Jasha Shapiro (9 years old) and Belteleradiocompanys orchestra conducted by Andrey Galanov), 2016 March 21, Mogilev Puppet Theatre ("The Lower Depths" music for the stage production by Maxim Gorkys play), 2016 May 7, International Choir and Orchestra Festival, Lloret de Mar on the Costa Brava, Spain (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2016 August 27, Minsk, Classics on the Tower Square ("Consort Lessons" performed by "MuzzicDom Orchestra" conducted by Ivan Kostyakhin), 2016 October 19, Belarusian State Academy of Music, Minsk (Suite "Le Grand Cahier" ("Thick Notebook") performed by the Student Chamber Orchestra conducted by Peter Vandilovsky), 2016 November 27, Belarusian State Philharmonic, Minsk (Suite "Le Grand Cahier" ("Thick Notebook") performed by the "Metamorphose" String Orchestra conducted by Pavel Lyubomudrov), 2016 December 24, Belarusian State Puppet Theatre, Minsk (music for the stage production "Christmas Story" based on the novel by Charles Dickens), 2017 March 11, Perm Puppet Theatre ("My name is Lek" music for the stage production based on the story by Andrea Sophie Yannus "Ling"), 2017 March 22, Mogilev Regional Puppet Theatre ("Blue-Blue" music for the stage production based on the story of Vladimir Korotkevich), 2017 April 18, Easter Festival, Belarusian State Academy of Music, Minsk, (Suite "Consort Lessons" performed by the Student Chamber Orchestra conducted by Pyotr Vandilovsky), 2017 April 22, Ulyanovsk Puppet Theatre ("Munchausenshaw" music for the stage production based on the play by Grigory Gorin "The Same Munchausen"), 2017 April 22, Mogilev Puppet Theatre ("Little Red Riding Hood, narrated by the Grimm brothers" music for the stage production based on the fairy tale of the Grimm brothers), 2017 June 2, Krasnoyarsk Puppet Theatre ("The Little Devil" music for the stage production based on the play by Fedor Sologub), 2017 June 4, Bialystok Puppet Theatre, Poland ("The Tale of the Old Man and the Goldfish" music for the stage production based on the poem by Alexander Pushkin), 2017 June 9, Montpellier Choral House, France ("Au mieie des nuages" performed by "Le chur Francis Poulenc" and "Concordia" Choir, conductor Pasqualino Frigo), 2017 June 10, Church of St. Joseph in Castres, France ("Oculis et manibus" performed by "Le chur Francis Poulenc" and "Concordia" Choir, conductor Galina Kazimirovskaya), 2017 June 26, Istra City Drama Theatre ("The Death of Tarelkin" music for the stage production based on the play by Alexander Sukhovo-Kobylin), 2017 June 29, Concert Belarus Poland, 25 years of good neighborliness, Belarusian State Philharmonic Society, Minsk (Suite "Concort Lessons" performed by the State Belarusian Chamber Orchestra conducted by Oleg Lesun), 2017 July 28, Concert at the residence of the World Bank in Belarus ("Concertino-Barocco"), 2017 September 20, Brest Puppet Theatre ("New Land" music for the stage production based on the poem by Yakub Kolas), 2017 September 26, Minsk State College of Music (meeting-presentation of the book by Svetlana Beresten Alexander Litvinovsky profession composer. 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